Thom Orgler, South Tyrolean luthier, inspecting a spruce in a snowy forest while selecting tonewood for his handcrafted guitars.

From Forest to Future: Choosing the Perfect Tree

The search for the perfect tree is anything but simple. Many individual factors play a decisive role in this delicate process. Fundamentally, the trees in question must have reached an age of at least 200 years. To grow this old and remain healthy for such a long time, they need to stand at an altitude of around 1,400 meters above sea level.

The Latemar forest, located on the northern slopes of the Latemar massif in South Tyrol, is regarded as one of the most beautiful spruce forests in Europe. Growing on calcareous soil at elevations between 1,400 and 2,100 meters, with abundant rainfall and short growing seasons, spruces here find ideal conditions. The trees often stand on north- and northwest-facing slopes, with flatter terrain in the lower ranges and steeper sections higher up, crossed by ravines and avalanche paths. Under these circumstances, spruces can reach heights of up to 45 meters and ages of 200 to 260 years.

Such conditions give rise to a remarkably straight and even growth, with narrow annual rings that make the wood highly sought after. Especially prized is the so-called Haselfichte (bearclaw spruce), long valued in instrument making for its unique tonal and visual qualities.

Ideally, the chosen tree grows on slightly flatter terrain, allowing it to develop a concentric and evenly shaped structure. Any clear sign of spiral growth, however, is already a disqualifying factor.

In addition to these objective criteria, a certain intuition always plays a role in my selection. Even though there is a significant residual risk—since the true quality of the wood can only be judged after felling and later sawing—this instinct guides me toward the trees that will most likely give life to exceptional instruments.

Guitarist playing a Thom Orgler Latemar acoustic (PU high-gloss Smokegrain) outdoors in the Dolomites, eyes closed, enjoying the performance.

A Late Summer Dream: The Making Of

The video was created in the early morning hours at the foot of the Latemar massif. Frost coated the landscape, and the soft dawn light transformed the forest into a shimmering, magical scene.

Worker at a sawmill measuring and aligning a frost-covered spruce log on the conveyor to cut quarter-sawn tonewood for guitars.

Shaping Possibilities: The Sawmill Stage

Deciding where to make the first cut is a critical and thrilling moment. The initial approach sets the path for the entire sawing process and demands full focus and precision.

Forester making the first cut with a chainsaw on a spruce trunk—controlled winter harvest for tonewood, sawdust flying in a South Tyrol forest.

The Art of the First Cut: Felling the Tree

It was December 27, three days before the new moon – a crisp, cold winter day, perfect for what lay ahead. All eyes were on the moment the chainsaw would roar to life.